Lire les œuvres de Sébastien Dominici c’est avant tout se les approprier, se laisser porter par son interprétation personnelle.
Un dessin central prédomine souvent et de là se décline une multitude de petits dessins. Une chose est toujours récurrente, trois mots encerclés de rouge se donnent à voir dans les œuvres : ces références sont celles de l’auteur, ce sont la vision que décide de partager le peintre avec son public. Comme une envie d’échanger sur un sujet.
Cette vision, c’est un regard de façade qui est posé et dont les premiers éléments majeurs éclairent le raisonnement. C’est une façon de peindre toutes les choses de la vie : les visibles grâce aux symboles majeures comme les invisibles présentes dans la masse d’annotations et de dessins.
Il réside dans la peinture de Sébastien Dominici ce désir fort de peindre la vie c’est-à-dire ce qu’on ne voit pas toujours, les rêves. Comme les étoiles, le peintre veut montrer qu’il y a deux existences pour une même choses : toujours présentes autour de nous et pourtant invisibles la journée. C’est ce rôle-là, cette action, cette complexité de l’invisible que l’expression picturale de Sébastien Dominici essaie de capturer.
La création d’une interaction avec la personne qui regarde et dispose de l’œuvre sur un même sujet dont il est possible de parler de milles façons est l’objectif premier de l’artiste. C’est cette appropriation, ces réflexions, les rêveries que défend l’artiste. Créer un échange, un partage et faire rêver.
Découvrir une œuvre de Sébastien Dominici c’est naviguer, surfer et plonger à ses côtés dans une multitudes d’images.
-
To read Sébastien Dominici's work is above all to make it your own, to let yourself be carried away by his personal interpretation.
A central drawing often predominates, from which a multitude of smaller drawings emerge. One thing is always recurrent: three words encircled in red can be seen in the works: these references are those of the author, they are the vision that the painter decides to share with his public. Like a desire to discuss a subject.
This vision is a front view, the first major elements of which illuminate the reasoning. It's a way of painting all the things in life: the visible, thanks to the major symbols, and the invisible, present in the mass of annotations and drawings.
In Sébastien Dominici's paintings, there is a strong desire to paint life, that is to say, what we don't always see, our dreams. Like the stars, the painter wants to show that there are two existences for the same thing: always present around us and yet invisible during the day. It is this role, this action, this complexity of the invisible that Sébastien Dominici's pictorial expression tries to capture.
The artist's primary objective is to create an interaction with the viewer and the viewer's view of a subject that can be discussed in a thousand different ways. It is this appropriation, these reflections, these musings that the artist defends. To create an exchange, a sharing and to make people dream.
To discover one of Sébastien Dominici's works is to sail, surf and dive alongside him into a multitude of images.
A central drawing often predominates, from which a multitude of smaller drawings emerge. One thing is always recurrent: three words encircled in red can be seen in the works: these references are those of the author, they are the vision that the painter decides to share with his public. Like a desire to discuss a subject.
This vision is a front view, the first major elements of which illuminate the reasoning. It's a way of painting all the things in life: the visible, thanks to the major symbols, and the invisible, present in the mass of annotations and drawings.
In Sébastien Dominici's paintings, there is a strong desire to paint life, that is to say, what we don't always see, our dreams. Like the stars, the painter wants to show that there are two existences for the same thing: always present around us and yet invisible during the day. It is this role, this action, this complexity of the invisible that Sébastien Dominici's pictorial expression tries to capture.
The artist's primary objective is to create an interaction with the viewer and the viewer's view of a subject that can be discussed in a thousand different ways. It is this appropriation, these reflections, these musings that the artist defends. To create an exchange, a sharing and to make people dream.
To discover one of Sébastien Dominici's works is to sail, surf and dive alongside him into a multitude of images.